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Max Beckmann, Selbstbildnis mit Sektglas, 1919, Städel Museum, Frankfurt am Main, gemeinsames Eigentum mit dem Städelschen Museums-Verein e.V., der Ernst von Siemens Kunststiftung und der Bundesrepublik Deutschland © VG Bild-Kunst, Bonn 2020

Expressionistisches Gemälde von Max Beckmann, auf dem er selbst ein Sektglas hält; vor sich ein Sektkühler und im Hintergrund ein weitere Mann mit Brille

Städel’s Beckmann - Beckmann’s Städel

9 Decembre 2020 - 29 August 2021
Städel Museum

Max Beckmann (1884–1950) is associated with Frankfurt and the Städel Museum like scarcely any other artist. Based in Frankfurt from 1915 to 1933, he produced a large share of his most important works here, developed his characteristic style, and in 1925 the city provided him with a master’s studio at the School of Arts and Crafts. Numerous views of Frankfurt and portraits of friends and acquaintances testify to his ties to the city, which, much to his regret, he left in 1933 after being forced to resign from his teaching activity. Vilified as “degenerate”, Beckman fled Germany in 1937. He died in New York in 1950.

Because of his close connection with Frankfurt, the Städel Museum has intensely concerned itself for nearly a century with collecting and researching Beckmann’s oeuvre, which has been presented in a large number of special exhibitions. The museum has continuously acquired works by the artist since 1918. With 11 paintings, 2 sculptures and more than 100 prints, the museum now has one of the most extensive Beckmann collections in the world. This special presentation is devoting itself to this body of work and Beckmann’s Frankfurt years based on selected works and documentary material.

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Städel Museum
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